Good, and then after we play the note, we're going to relax the finger, so we play the fourth, and then take it off and then see how loose it has to be here? And then we play the C And the two. Let's play three, with really, and then the fourth, great. So what we want to do, we're always going to be aware that we balance the hand, the fingers back from the third and the fourth fingers. So we're going to find the balance of our hand for that B-flat there. One other thing we're going to do, we're going to practice a finger pattern. Down, work here, Down up, and we work here, up down, down up, up down. Down, up Down, down up Good, and when we do all of these things we're going to keep this fingers as loose as possible, can you tap your first finger and the two middle? Good, and the little? Very good, so we'll do that once more. Now I'm going to work here and when I work I'm going to can you like brushing your teeth? Can you do that? That's good and then we're going to go down, down up. Can you just wave to your nose? That a girl, good, so we're going to play down. So I'll help you do this and when we do these things, let's keep the hand over the high dot. We name this stroke after him because he invented it ,and the principle of this stroke is that we're going to work on the little note and get the big note from nothing. The first thing that is important for us to do in this piece is this bow stroke Which we call the Detache stroke.
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